With its distinctive shape the Battistero
or Baptistery is one of the most recognizable edifices in Florence.
Competing alongside the Duomo
Campanile in the
Piazza del Duomo, (photo to the left) the Battistero
has a long and distinguished history. Built over the remains of an
ancient Roman palace, it is one of the oldest buildings in Florence.
Any Florentine of any note was baptized here, including the infant
Dante, before the Battistero gained its beautiful marble facade. The
entire outer surface is covered with this design of white and green
marble, added from the 11th to 13th centuries. Inside (the second photo
on the left shows the interior from the famous east gates) the ceiling
is decorated with mosaics, while above the altar there
are figures of the Virgin and St. John the Baptist, for whom the
structure is dedicated. The main design shows the Last Judgment, with
the sinful being devoured by monsters, while the faithful ascend to
heaven. The Baptistery features a tessellated floor with intricate
The photo to the immediate right shows the high windows on the northern
side of the Battistero, which lets in the small amount of light
that is used to illuminate the area. Although most of the sculptures have been removed to the nearby Opera del Dumo Museum, including the Gates of Paradise and the sculptures of the Beheading of St. John by Vincenzo Danti (southern door), St. John the Baptist Teaching between the Pharisee and the Levite by Giovanni Francesco Rustici (northern door), Baptism of Christ by Andrea Sansovino (above the Gates of Paradise). Still
visible in the Baptistry is the tomb of Baladassare Cossa - the
maligned Antipope John XXIII - created by Donatello and Michelozzo.
This is visible in the photo to the left.
From an aesthetic perspective, the most remarkable feature of the Battistero are its sets of doors, especially those on the east and south entrances. The east entrance (which is directly across from the steps of the Duomo, are the creation of the renowned Lorenzo Ghiberti. Dubbed "The Gates of Paradise" by Michelangelo, the door is divided into ten panel depicting Old Testament scenes. (photo to the left) Noted for their use of perspective and detail, the two sets of doors (Ghiberti also created the south doors) occupied the bulk of the artist's life work. He labored on the south gates from 1403 to 1424, and on his masterpiece from 1425-1452--a total of 49 years to finish the doors. The photo to the right shows one of the panels from the "Gates of Paradise." It depicts Moses receiving the Ten Commandments. These doors are, however, copies, as the originals are safely stored from weather in the nearby Museo dell'Opera.
Not to be overlooked are the south set of doors are the creation of Andrea Pisano, who also aided in the designs of the nearby Campanile. Complete in 1336, they too depict biblical scenes in a series of 28 panels, smaller than those found in Ghiberti's "Gates of Paradise." The photo to the left shows the south Baptistery doors, while the close-up to the left depicts a baptismal scene.